Pearl Jam
April 3, 2003
Ford Center: Oklahoma City, OK
Official Bootleg #17
Source: SBD
Tools: Official Bootleg > WAV (EAC V0.9b4) > SHN (mkwACT V0.97b1)
(seek tabs appended)
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*** DO NOT ENCODE TO MP3 ***
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Disc 1:
01 - Long Road - 05:18
02 - Grievance - 03:22
03 - Oklahoma - 00:26
04 - Corduroy - 04:36
05 - Save You - 07:27
06 - Given To Fly - 03:40
07 - Dissident - 03:36
08 - Even Flow - 07:06
09 - I Am Mine - 03:33
10 - Love Boat Captain - 05:12
11 - 1/2 Full - 04:13
12 - Not For You - 07:00
13 - Off He Goes - 06:13
14 - Small Town - 04:02
Total: 65:50
Disc 2:
01 - Untitled - 02:42
02 - MFC - 04:50
03 - Happy Birthday - 02:56
04 - Driftin' - 02:38
05 - Get Right - 02:52
06 - Deep - 04:33
07 - Blood - 03:11
08 - Encore Break - 02:04
(Encore 1)
09 - Betterman - 04:55
10 - Daughter/(War) - 09:06
11 - Do The Evolution - 03:50
12 - Rearviewmirror - 09:55
13 - Encore Break - 00:37
(Encore 2)
14 - Alive - 06:17
15 - Yellow Ledbetter - 05:44
Total: 66:16
Notes (from 5H):
The ending of the Pete Townshend song 'Jools and Jim' (from the Empty Glass
glass album, where Pete sings "Oklahoma, Oklahoma, Oklahoma, O-K") is played
before 'Corduroy.' After 'Save You,' Ed speaks:
"Glad you could all be with us tonight. There's a lot of "fucks" in that last
song. And it's fucking great to be here. And "fuck" is a great fucking word.
And it seems like ten years ago, freedom of speech, it all had to do with
whether you could say "fuck" or not. Cuz it is, it's a word that's worth
fighting for, ya know, ya say fuck him, fuck her, fuck me, fuck! Then great
ways to say it: "That's fuckin beautiful." Fuck. I personally can't say I ever
said it this way, but I'm sure you could say, "Let's fuck." But now freedom of
speech it has, uh, it has a lot to do with much bigger issues. And uh, somehow,
we played a show last night and it's been misconstrued. They said, uh, 24
people left because they were upset at a, uh, anti-Bush administration remark.
[crowd boos] You're booing the story, right, not me? Let's clarify that. You
know you could have written that story differently and you could have said
11,972 people cheered and applauded at what the singer said ... we pledged our
support and love to the troops. Ya know, how could we not be for the military?
Look at this fuckin haircut. [cheers] So, uh, no matter what it is, no matter
how you feel, I think it's important for people to be able to protest, say what
they feel, and put public pressure, put pressure on politicians and government
just so that they will do a better job. There's nothing anti-patriotic about
that. Because their job affects our families, our safety, our security, our
relatives who are in the military, our friends, it affects everyone, so we have
a right to be a voice and be part of that, I would think, as part of a
democracy. That's all we wanted to say, this is 'Given to Fly'."
Due to technical problems ("Mike apparently blew up one of his guitar amps"),
we get the uke early for 'Happy Birthday' to Chris (Ed's brother) and again for
Keely instead of 'Soon Forget,' followed by a little guitar and uke noodling
(including Jeff doing a 'Satan's Bed' riff). Ed says 'Drifting' was written
while flying over Oklahoma. 'Deep' is a surprise; hasn't been played at a show
in more than seven years. Mike's solo during '1/2 Full' is amazing. 'Elderly
Woman' is dedicated to the folks in Chickasaw, which isn't that small of a
town, but still a nice sentiment. Tons of windmills by Ed throughout the show
and jumping up and down with Jeff. Before the 'Daughter' tag, Ed speaks of how
Edwin Starr (who wrote 'War') passed away the previous day. After 'Alive,' Ed
asks that the light be brought up to make sure that no one has "stormed out of
the exits ... for the record." The band is very on, minus the technical
problems.