Pearl Jam

August 7, 2000
USBoot No. 04 - Philips Arena: Atlanta, GA

Bootleg #29 --> Hitachi DVD-ROM GD-7500 --> EAC v0.9pb6 --> .shn via mkwACT 0.97 BETA 1
(by Peter Preston/pjp@inhiding.com on 1 February, 2001)

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***     DO NOT ENCODE TO MP3     ***
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Side A:
01 - Release                                        - 05:25
02 - Corduroy                                       - 04:36
03 - Insignificance                                 - 04:25
04 - Animal                                         - 02:47
05 - Hail Hail                                      - 05:07
06 - Nothing As It Seems                            - 05:43
07 - Rival                                          - 03:45
08 - Given To Fly                                   - 03:38
09 - Light Years                                    - 04:49
10 - Do The Evolution                               - 03:52
11 - Even Flow                                      - 05:20
12 - In Hiding                                      - 07:39
13 - Daughter/(The Wrong Child/Androgynous Mind)    - 08:28
14 - Better Man                                     - 04:46
Total:  70:28

Side B:
01 - Nothingman                                     - 05:22
02 - Leatherman                                     - 02:19
03 - Grievance                                      - 03:14
04 - RVM                                            - 07:16
05 - Encore Break                                   - 01:18
(Encore 1)
06 - Once                                           - 03:19
07 - Breakerfall                                    - 04:27
08 - Immortality                                    - 07:28
09 - Crazy Mary                                     - 06:37
10 - Small Town                                     - 03:55
11 - Porch                                          - 03:58
12 - Fucking Up                                     - 08:22
(Encore 2)
13 - Yellow Ledbetter                               - 06:25
Total:  64:08


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Notes (from 5H):
The third verse of 'Release': "Oh dear Dad ... can you see this crowd?" Prior to "NAIS," Ed greets the crowd (with bottle of wine in hand), "A toast - to Atlanta." He takes a sip and proclaims, "It's good." After 'Rival,' he turns around to say hello to the fans seated behind the stage comparing them to the "b-side" of a record. 'DTE' lyrics are changed to, "I'm Ted Turner and this is my choir." After a great version of 'In Hiding,' the lights are on the crowd enough for Ed to comment on the set up of Phillips Arena saying, "It looks like these people are free (pointing to his right) and these people are in prison (referring to the luxury boxes that are stacked on top of each other like prison cells). He says that Ted Turner must sit right in the middle of all the "prison cells" and calls it the "king's crotch," unzipping and opening his pants! Continuing, "Ted Turner owns this place, but he doesn't own us, and we are happy to be here." He also talked about the new planets that were discovered yesterday and that Ted has already put a bid on one.
'Better Man' features Ed's short classical guitar intro titled 'Romanza' (or 'Spanish Romance'). [The author is anonymous; Canadian guitarist Liona Boyd probably has the best known recording for those interested.]
The gender roles are reversed in the 'Nothingman' lyrics. During 'Grievence,' a light is shined on the American flag at the top of the arena on the first "I pledge my grievance to the flag." After 'Breakerfall,' Ed says they finished up their last record here in Atlanta with Brendan O'Brien and how he likes Atlanta, and that "we spend enough time here, we know streets, names, gay bars."
Ed has trouble with the start of 'Immortality' and Stone comes over and helps out laughing, "vacate is the ...". During the full and beautiful "Crazy Mary," Ed jumps down to the barricades and "passes around" his bottle of wine with many people in the front row. An absolutely beautiful, fitting moment.
The entire encore is amazing, capped off by 'Fuckin' Up' when Ed smashes the mic stand with his tambourine. Ed takes more polaroids before 'YL' and Matt leads the crowd in clapping during Mike's solo.